Showing posts with label historic house. Show all posts
Showing posts with label historic house. Show all posts

Thursday, September 17, 2009

La Ronda: "You've had time."

So, two weeks have gone by and the La Ronda story just gets stranger and more pathetic. Seriously, nobody could make this up. This blog has lots of great information - click on the La Ronda tag for all the gory details.

Key Updates

1. Joseph Kestenbaum has been officially outed as the owner of La Ronda. True to form, instead of facing the music himself, he hired a PR firm to express his outrage that his decision to buy and knock down a landmark has generated a "media circus." Poor baby.

I do feel sympathy for his kids, having parents who are publicly revealed to be this greedy and egocentric. As I've said before, there was plenty of opportunity here to do the right thing, or to at least choose a less damaging solution. In his statement, reproduced here, Kestenbaum claims he was the only person willing to buy the place and that he was also willing to sell it once outrage erupted over the demolition permit. But did others have a fair opportunity to buy it from him?

He also claims he and his family had been searching for a new home for five years. Please. Of all the hundreds of luxury Main Line-area properties that have come on the market since 2004, and the fact that even now there are lots of high-end houses stagnating on the market with prices dropping due to the recession, was there absolutely NO other suitable place to buy? Did they even look at anything else, or were they eyeing La Ronda (or La Ronda's location, location, location) all along?

2. Kestenbaum was outed by none other than Arthur Kania, who justifies the violation of what was supposed to be a confidential real estate deal by saying "But he outed me first!" Serves them both right.

3. Kania, who has retained his own PR flack, is now asserting his salvage rights and carting off whatever movable property remains after Kestenbaum's August ravaging of the interior. He has hired a salvage company which has an, um, interesting background.

Meanwhile, the salvage company that reportedly received the primo elements from the August scavenging is not interested in returning them. As seen in this article, the company specializes in recycling salvage as unique furniture and gift items. What oh what will they do with those magnificent staircases? They could be broken up to make a headboard, or some nice garden ornaments, perhaps? And maybe the reuse of this desirable loot will be shown on their new reality TV show on the DIY Network. Just look at all those nice press clips!

4. Given Kestenbaum's refusal to negotiate and Kania salvaging what little of value is left, Benjamin Wohl appears to have given up. Heck, I would too. While technically the house is still standing, it lacks most of its key decorative elements, and has sustained major interior damage during the removal of said parts.

In retrospect, it's unfortunate that Wohl didn't show up early in the summer. Not his fault, since he apparently didn't know about La Ronda until July, but the eleventh-hour timing of his offer undoubtedly made it that much more unappealing to Kestenbaum.

Nice try, Mr. Wohl. Thank you. It heartens us all to see a deep-pocketed total stranger step up and offer to take on such an expensive and complicated endeavor. Keep an eye on the National Trust's 11 Most Endangered Properties and other preservation alerts. You will undoubtedly be needed again.

5. Various people have dug up dirt on Kestenbaum and his wife as a result of the public outing. Fascinating stuff, much of it revealed here, here, and here. Gotta love those photos with the cowboy hat. Now that will fit right in when you move to Bryn Mawr.

Perhaps it is a little juvenile and obsessive to publicize all these tidbits. But let's face it, Kestenbaum's actions are those of an insecure cowardly little man, who is now having a PR-facilitated tantrum about all these mean people who should have bought La Ronda when they had the chance instead of making a fuss about it. He's like Veruca Salt in Charlie and the Chocolate Factory - "I want the world, and I want it now!" Sit and spin, little fella.

If you ask me, Kania is just as much of a skunk as Kestenbaum. Some people think he's a good guy for trying to stop Kestenbaum from salvaging. From my chair, not so much. He is not protecting what's left from harm, but has his own salvagers doing the exact same thing as Kestenbaum's, so he too can profit from the haul. I doubt he's upset about the loss of the house parts illegally removed by Kestenbaum, only the loss of the money he would have made selling them. Not only did he precipitate this entire fiasco by letting the house run down and then selling it to a secretive but clearly demolition-craving buyer, but he aborted any further attempt to pull the house back from the brink with the insistence on maintaining his "salvage rights." He knew damn well what would happen if he made legal provision for salvage rights. Interesting that he didn't try to enforce these rights until Wohl showed up in August, even though Kestenbaum was already well into stripping the interior by then.

I could go on, but I'm running out of sputter.

Disgusting behavior all around. Hopefully karma is as much of a bitch as they all say. I almost hope that poor house will burn down with what's left of its dignity, rather than subjected to the continued picking and scavenging of the vultures responsible for its demise. Twenty years from now, will the key players involved look back and be proud of their actions? I can only hope that the loss of La Ronda will result in stronger future protections for historically significant properties in Lower Merion and the greater Philadelphia area, much as the demolition of New York's Penn Station helped galvanize the national historic preservation movement in the 1960s.

Just to leave one last taste of the stink of this affair, enjoy the last word from Kestenbaum's flunky, courtesy of the Philadelphia Inquirer's Derrick Nunnally:

Kestenbaum's spokesman, Jeff Jubelirer, said Wohl had agreed to the requirements and was attempting a "publicity stunt" by offering further negotiations.

"He hasn't proven or shown that he can execute," Jubelirer said. "You can come up here and do your charade and get lots of press and make us look like the evil guy, but you've had time."

You've had time too, Joe (and Arthur). Oh, the names I could call you besides "the evil guy."

Tuesday, September 1, 2009

La Ronda - a story of selfishness

I am absolutely disgusted by a travesty occurring as we speak in the Philadelphia suburbs. The house in question, La Ronda in Bryn Mawr, is an Addison Mizner Spanish Revival mansion constructed in 1929. It was Mizner's last commission, is among the finest examples of Spanish Revival architecture in the Philadelphia area, and is the only Mizner commission in Pennsylvania. The only Mizner house north of the Mason-Dixon line, actually. Reportedly, it is in nearly original condition. Or was, until the past month when the salvagers started scavenging and hauling off some of the best pieces.

Google "La Ronda demolition" and search philly.com for "La Ronda" to get a better picture of all the nuances, but here is the basic story in a timeline:

March 2009: A mystery buyer, hiding behind an anonymous corporate front, purchases La Ronda and its 3.2 acre property for $6 million, quite a bargain when you think about what you're getting. The house needs some work, but is still magnificent and well preserved.

The Mystery Buyer (MB) soon files for a permit to demolish La Ronda. Because, among other grievous faults, it doesn't have air conditioning and it would be "too expensive" to install it. It "just doesn't work anymore for a family of today." The architects who supposedly went through the house aren't creative enough to figure out what to do with it. And the owner only needs a 10,000-square-foot mansion, so what could he possibly do with an 14,000SF mansion? (note: sarcasm is mine) I mean, if none of this works for you, why buy this house anyway? You could probably get more land somewhere else, and have your bonus room too.

Honestly, MB, if you can afford to buy and then tear down one of the greatest surviving Main Line estate homes and then build your dream castle on the site, how can you snipe about the cost of air conditioning? It cannot be more expensive to renovate La Ronda than it is to knock it down and build a huge new house. You could save yourself a lot of money and live in a landmark too.

May-June 2009: After putting off the decision for a month, Lower Merion Township, the municipality in which the house is located, approves the demolition permit. The township has a demolition-delay ordinance, i.e. a 90-day "cooling off" period during which alternative solutions may be found and any required documentation completed. Their ordinances and comprehensive plan were written 30 years ago, long before the economic conditions and greed of the early 2000s led to widespread teardowns. At this time, La Ronda was classified as a "Class II" building, which affords it minimal protection. As with most municipalities nationwide, the township has little power to stop a teardown, and the horse has left the barn. Seriously, sometimes it feels like the 1960s all over again. Doesn't anyone remember Penn Station?

Fundraising and other efforts by local preservationists and the Lower Merion Conservancy are rebuffed by MB and his lawyer.

July 2009: Lower Merion township officials visit the building for a walk-through, and a consultant makes required architectural documentation of the house, at which time it is still intact.

By the end of the month, workers begin dismantling and carrying off interior fixtures and other salvage from the house.

August 2009: A potential savior arrives in the form of Benjamin Wohl, a Florida resident who saved and lives in another Mizner house. Wohl offers MB a six-figure fee to buy the house and move it to a nearby property at his own expense.

MB apparently rejects one offer, refuses to negotiate or even take phone calls, and hides behind his not-very-personable attorney. Meanwhile, the former owner, Arthur Kania, claims he retains salvage rights, throwing another monkey wrench into the whole fiasco.

MB's plans for the site include a house bracketed by a basketball court and a pool, with a circular driveway almost as big as the existing house. How nice.

Yesterday, August 31, 2009: Demonstration held at the gates of La Ronda. Wohl flies up from Florida to attend.

Today, September 1, 2009: The date on which MB can receive the demolition permit from Lower Merion Township. Although the permit requires the house to stay up for 30 more days, the vultures can pick at the fresh kill and carry off anything of salvage value. If anything is left at this point, which is debatable. Kania's rights to salvage are upheld, meaning he is now at odds with Wohl, who would be left with a fixture-less shell if MB agrees to let him move the house.

This story has received considerable local coverage, and even some national coverage. See here for a partial list of articles. There is a Save La Ronda website and Facebook group. Adrian Scott Fine of the National Trust posted about it here.

I'm praying for a last-minute save, but given the selfish and deplorable behavior of MB and Kania, I have a hard time believing in miracles.

Those at fault for this, as I see it from my antique armchair:

1. Lower Merion Township. You should have updated your ordinances and put La Ronda on your Class I list long ago, and not made designation voluntary. This only proves, once again, that anything in the township is teardown bait. I hope this is a lesson for you, however hard it is to swallow. Get your house in order before another permit application arises.

2. Arthur Kania. You own the place for decades, let it get run down, then sell it to MB for a handsome price. You probably realize MB is thinking of tearing it down, because you insist on retaining interior salvage rights. This means you not only get a large amount of money from selling the place, but you have first dibs on harvesting the best parts of it, which you can then sell. When a person appears who wants to buy the house and move it, you help scotch any potential deal when you step in to insist on protecting your salvage rights, which essentially negates all other arrangements that may arise to save the place. To add insult to injury, you try to prove your altruism and desire to "preserve" the house by claiming you will donate some of the pieces to the Philadelphia Museum of Art. Scum.

3. Mystery Buyer, now revealed as one Joseph Kestenbaum, president and CEO of Marsh Hawk Capital Management LLC, Conshohocken, PA. You know exactly what you are doing, and you know it is at the very best an unpopular decision, and at worst, wasteful, shortsighted, lazy, and wrong. As such, you can't even step up and reveal your identity, until someone finally tracked you down and revealed it yesterday.

If you believe so strongly in your right to do what you wish with your property, then show your face and take the heat instead of hiding behind your high-priced attorney and corporate front. Can you not even consider negotiating or compromising? You'd save yourself the hassle and large expense of demolition and redeem yourself considerably with the locals. The only downside for you might be a delay of a few months while the house is moved. Let's face it, once you build your McMasterpiece and move in, people are going to know who you are and they are going to hate you with a passion. Nobody is going to show up with a welcome plate of cookies, believe me.

4. The culture of wastefulness and greedy excess that encourages this type of activity and makes it seem like a good and profitable idea to buy a house you hate so you can knock it down and build what you think is a better one.

For better or worse, the economy has now changed, and culture is starting to recognize the value of being "green," but reconciling green with historic preservation still has a long way to go. The message that "the greenest building is one that has already been built" has gotten through to the preservation world, but it hasn't quite made it into the mainstream. Right now, the mainstream is hung up on all the tax credits it can get for "weatherization" (i.e. "let's rip out our historic wood windows and doors, throw them in the landfill, buy and install vinyl replacements, and then we're green and get stimulus tax credits, yippee!"). I can only hope that the value of keeping old buildings and repairing rather than replacing them (AND their original components) becomes clear to the wider world before the economy and the real estate market rebound.

There was so much opportunity for a better solution to all of this, so much opportunity for both the buyer and seller to be the bigger person and do the right thing. Short of a last-minute miracle deal, everyone loses here.

Update 9/2/09: Much of the interior of La Ronda has reportedly already been destroyed by Kestenbaum's salvagers/pillagers. See photos here. Where is the salvage going?  How much money will Kestenbaum make from selling it, or will it be reused to add "character" to the McMasterpiece?  I'd hate to see those lovely metalwork elements end up on the scrap heap, but nothing would surprise me at this point.

Sunday, February 1, 2009

Setting sail

A little local story that seems like it may have a happy ending: Robert Venturi's Lieb House is being relocated from Long Beach Island, NJ to Long Island, NY. Inga Saffron of the Philadelphia Inquirer also has her own blog talking about this, with some interesting comments. More discussion here.

Venturi (and modernism in general) isn't for everyone, and this venture is drawing its share of jeers. There are clearly people who think it's an ugly piece of crap, think the effort is ridiculous, and won't miss it in the least if it disappears. The Atlantic City newspaper article's comment section had someone calling the house "a cereal box with windows."

But this whole situation is encouragement for the rest of us.

I don't think relocating buildings out of context is the ideal way to deal with redevelopment pressure, and I realize most people don't have the celebrity status, funds or matchmaking luck to pull this off, but this preservation story impressed me on so many levels. Here's an example of people using their creative thought to come up with a solution that works for everybody:
  • The Lieb House is saved, takes a trip up the coast, and gets a swanky new waterfront home next to another Venturi house.
  • The new owners get a way-cool guest cottage.
  • The developer gets to build his beach palace on the vacated lot.
  • The architect gets to see his work saved and appreciated.
  • The entire thing is a great subject for media coverage of all kinds, and demonstrates to the world that there are buildings that people care about enough to jack up and move, rather than knock them down.
The only potential losers here are the neighbors of the former house site, who are soon going to have a lot less view to enjoy. And the trip will have its hazards. And there's the potential for permits being denied on the New York end. And the house may not be as visible to the public in its new location. But still, it's much better than a one-way trip to the landfill.

Now, let's just hope the house gets permission to make its voyage. As of now, it's waiting at the marina for the light to turn green.

Big props to the Venturis, the Sarnoffs, and all the people making this happen.

Sunday, November 16, 2008

A question of value

I received the following comment from a Connecticut reader pertaining to the Grumman-St. John House situation. However, it goes right to the heart of that uneasy argument between the preservationists and the property-rights people.

I'll keep this short: The value of a historic building is what someone is willing to pay to possess it.

The current owner placed a value on the property and *PAID* for it. He is now free to do with that property what he pleases to do (as long as it's otherwise legal). If that means tearing it down, so be it. You could have bid against him, you can still make him an offer to purchase it...

What I oppose is you using the power of the state to take the property he bought, or restrict his rights to enjoy the property he purchased. **EVEN IF THAT MEANS BURNING IT TO THE GROUND**

I'd hope you would have the courage and faith in your convictions to post both comments and let the public decide who is correct.

So, I ask you, the public: What do you think? What is the worth of someone else's historic building? What rights do others have to decide what happens to it?

Discuss. Commenters, fire away.

My response:

Yes, the owner bought the property and paid good money for it. Yes, he has the right to make decisions about how to use it, and to determine the highest and best return for his investment. I can see why the outcry by non-owners over his plans would be most unwelcome. I can see why he might neglect the place, considering he wants it gone, although willfully allowing vandalism is not going to help build his credibility or his case.

However:
1. Was the house ever on the market independently, or only as part of a larger commercial property? i.e., was it available to someone who is not a wealthy business owner/investor with a huge line of credit? The house by itself might have been affordable, but as part of the Norwalk Inn property? Mmmm, probably not.

2. When furor erupted over the owner's plans, did he then offer to sell off the house (either onsite or as a moveable entity) so that someone who wanted to save it could obtain it? Would he even be willing to sell it at a fair price?

If not, you really can't argue that someone who cares about it should have bought it. I don't see any evidence that history-minded individuals or associations had or have a fair opportunity to buy it.

A few other economic considerations.

Did the owner investigate the landmark status of this building, or other special considerations, prior to purchase? Did he consider that there might be these or other obstacles to his plans?

Has he given fair consideration to reusing the house as part of his business? What would this do for his economic situation? What is the cost of renovation of the existing structure to fulfill some of his business needs vs. the cost of demolition then construction of a large new building? Has he considered alternate construction plans that either incorporate or spare the house?

As for the unfairness of government control, let's remember that the government already has some control over use of the property. The property is, after all, subject to property tax assessments and local zoning designations and ordinances. New construction on the property would be subject to building code inspections and government safety regulations. Does the owner have an objection to this type of control?

Government interference could also be much worse than a dispute about a building. There are countless examples of government seizure of private property in the past, such as condemnation of thousands of private properties by eminent domain to create today's military bases, railroads, highways, airports, and national parks. Often these properties were seized with very little notice (i.e. telling farmers they had two weeks to get themselves and their families and animals off property that had been in their families for generations). Often the buyouts were way below fair market value. More recently, the seizure of an entire neighborhood in New London by eminent domain made news. And who paid for all of this? We did.

Is government seizure and control of private property the right thing to do? Not necessarily. In fact, it was often blatantly unfair and took advantage of disenfranchised citizens with deep roots. But my point is that government seizure of these properties was intended to fulfill a public need, be it for military or transportation or recreation use, or economic stabilization. Think about it: Every time you drive on an interstate highway or swim in a scenic reservoir or touch down on a runway, you are benefiting from the government's decision to take someone's property.

Compared to this type of government control, the owners of the Grumman-St. John property are actually getting off easy. You really can't complain about Connecticut tax dollars being spent on a court case over this house. Billions have been spent to assume control of other people's property in a much more drastic manner. And frankly, nobody is going to like everything their tax money is being spent on. I can name plenty of places my tax money is going that I wish weren't benefiting from my largesse.

So, everyone else, I'll let you take over now.

Friday, November 7, 2008

Grumman-St. John update

The owners of the Grumman-St. John house admitted they're letting the place be vandalized. And they want sympathy because people expect them to follow state law?

What cracks me up is that their lawyer is quoted saying the house is "of very little historic value." Tell that to the National Park Service and the National Register of Historic Places. If it was of so little value, believe me, the state and the preservation interests would have let the matter drop years ago. They aren't just doing this for fun or to ruin your business.

Another entertaining aspect is that the building the owners want to keep and expand, the main Inn building, is this sprawling, soulless modern motel/banquet hall complex with zero character. Pretty landscaping, but.... Even a sucker like me sees no redeeming qualities there. Interestingly, there are virtually no photos of the exterior on the inn website.

The house even in its deteriorated state is way more commanding and of far superior construction. It could really add some authentic historic charm to what is a functional but uninspiring inn property, creating a link between the inn and the Green. They could make it sort of a boutique luxury component of the inn property, or convert it to large suites. A little imagination would uncover a ton of hidden potential, and a little design creativity could allow both the inn to expand and the house to be retained. But the owners would rather fight to the death to knock the house down, rather than making a design compromise that could make everyone happy and end this costly and bitter battle very quickly.

Yep, it's just another old wooden building.

Tuesday, November 4, 2008

The Grumman-St. John House, Norwalk, CT

Time for a little hometown controversy:

In a nutshell, the Grumman-St. John house in Norwalk, CT is currently falling apart as its owners seek to bulldoze it and the local preservation trust is fighting to save it. Luckily the trust has Connecticut's Attorney General Richard Blumenthal on its side. But it's an ugly fight, and it ain't over yet. Props to the trust and the attorney general for fighting to save this important piece of Norwalk history.

I had the pleasure of meeting the director of the Norwalk Preservation Trust while helping out with a historic house tour last month. I grew up in the next town and my parents now reside in Norwalk. In another odd twist, my husband is a descendant of the Norwalk St. John family. Given these connections, I've been tracking the story from afar. We discussed the issue and he said that to these owners, this valuable and irreplaceable house is "just an old wooden building."

Call me a bleeding-heart preservationist, but I can't look at any crummy old building without appreciating it in some way. Even some rickety old shed behind a remuddled bungalow gets a drop of my interest and compassion. Perhaps this is because I get paid to spot and survey anything that appears to be over 50 years old. Perhaps all this surveying, and my lifelong fascination with architectural detail, makes it inevitable that I can't just ignore buildings. Even as I write some of the built environment off as too new to survey, or too altered or insignificant to be NR-eligible, I still see potential in things most people would not appreciate. I still see a story there, even if it's not a very important or interesting one.

Sometimes I wish that I could take a would-be demolisher on a tour through the building they want to knock down to build their McMansion or chain store. I'd point out the details, the hand-hewn beams, the delicate molding profiles, the soft wear on the stair treads, the honey of the floors in the afternoon sun. The hand-built china cabinets and homely old mantels. The sturdy construction under the cracking paint and crumbling plaster. I'd point out the beauties and irreplaceabilities of even the ugliest ugly-duckling building, share my vision of what it could be. I'd also point out that they'd engender a lot of community goodwill if they kept it and revived it. Is knocking down history and pissing off the neighbors really a good way to promote a business?

Would they listen to me? Probably not. Would they still think their convenience store is a better use for the site? Probably so. But if just one developer could be taught to appreciate the history and potential of a venerable old building, or how it might fit in with their plans after all, maybe they'd reconsider the next time they come across a property for sale that contains some old white elephant that would need to be torn down. And that would be a good thing.

Monday, March 3, 2008

The Cross Keys Tavern/Chrome Hotel

HABS 1959



Same view, 2008


Say you're driving down a pretty country road. You cross from northern Maryland into southern Pennsylvania, and up at the top of the road you see this massive, hulking old stone house that looks like it came out of a time warp. Its decrepit condition is disturbing, and when you do some poking around, it seems that this building has an unusual level of historic significance. Built in three sections, it served for many years as a tavern and dwelling. Among its more unique features, the old inn has a rare diamond-pattern carved front door, and the second floor has an unusual early folding partition between two of the rooms.

It appears that the Cross Keys Tavern, also known as the Chrome Hotel, hasn't changed much at all since it was documented by HABS in 1959. It's a lot more run-down, the front-yard sapling has become a handsome tree, and the road has inched closer, but no obvious alterations. It does not appear to have been occupied in 1959 or since then. On one hand, this means nobody has updated it for modern-day lifestyles, and it probably remains in a state of high historic integrity. On the other hand, it is probably pretty useless to its owner, and is deteriorating at a rapid rate. But what incentive would your average property owner have to put money into its upkeep?

I don't know the story behind this house and its owners, but I've been driving past it for nearly four years and watching it steadily decay. The roof has growing holes and is failing rapidly at one corner, a few upstairs windows are broken, one fascia board is coming off, and the exterior stucco is disintegrating. Once the water gets in, it's the beginning of the end. The interior is now at high risk of being lost forever. A couple of years ago, someone tied a huge green tarp over the entire roof, but within a few months the wind had torn it to shreds, and there has been no further attempt to protect it from the elements.

When I see something like this, it really bums me out, because even as a preservationist, I'm not sure how to fix a situation like this. The Cross Keys is so valuable from a historic and architectural perspective--it could teach us so much about life in the 1700s and 1800s. But most property owners today would see this thing as a giant eyesore, or a money pit, or a candidate for Extreme Makeover - Home Edition. If you approached them to ask them to take care of it, they just might resent the intrusion and bulldoze the entire thing. Maybe the family wants to hang onto it but can't afford to keep it up. Maybe it's tied up in someone's estate dispute, or family members can't agree what to do with it. Maybe it's subject to legal conditions we don't know about. For all I know, people have been trying for years to purchase and save it, but have been prevented from doing so. There doesn't seem like there's a lot you can do as a concerned bystander in a rural area like this, in a county (with one historic preservation employee) that is being overtaken by developers, in a state with hundreds of threatened resources. How do you stage an intervention for a neglected building?

As the old house crumbles, the current owners of the property seem to have built up a spiffy business complex in back selling fireworks. I'm not a fan of fireworks, and it's not even legal for me to buy them, but I'd go in there and buy them out of Roman candles if it meant they would put a good new roof on the old tavern, and get some glass back in the broken windows. If I had the money, I'd buy it a roof myself. If the owners can't find a use for the Cross Keys and cannot care for it adequately, I would hope they might just seal it up as best they can against the elements, and find a new owner. It could be an incredible house museum, or study house, or (why not?) a tavern, or even a restored private home...if you don't mind being a few feet from a busy intersection.

Until then, it's an intriguing time capsule, containing secrets of the past until the elements prevail.